Conn 112H Professional Bb/F/Gb Bass Trombone
Available for Pre-Order only.
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The C.G. Conn 112H inline independent double rotor bass trombone in the key of Bb/F/Gb features a 10" professional rose brass bell producing a warm, rich sound.
The .562" large bore combined with the open wrap F/Gb attachments offers outstanding clarity and projection with less resistance.
The chrome-plated nickel silver inner handslide tubes provide the ideal surface for smooth and quick handslide action.
The clear lacquer finish adds a subtle warmth to the sound overall.
The C.G. Conn 112H professional bass trombone is ideal for both symphonic and solo performances.
Specifications:
- .562" primary bore
- .594 bore through rotor sections
- Key of Bb/F/Gb
- Double rotor independent system
- 10" rose brass bell
- Lightweight yellow brass hand slide
- Clear lacquer finish
- C.G. Conn 1-1/2G mouthpiece
- 7512C woodshell case.
- Made in USA
Conn - a tradition of new sound since 1874
Conn began with an accidental split lip and a stubborn refusal to stop making music. When an injury left him struggling to play cornet, Civil War veteran, bandleader, and tireless tinkerer Charles Gerard Conn didn't just design a new mouthpiece. It sparked something bigger: a lifelong pursuit to build brass instruments, again and again, in search of the next sound.
Conn's restless curiosity helped shape the sound of America. In 1888, Conn produced the first saxophone made in the United States. In 1893, working with John Philip Sousa, Conn introduced the sousaphone, refining an idea into a standard of projection, mobility, and presence that still defines the field. As Conn grew, so did its reach, and by 1905, the Conn factory in Elkhart helped make the city synonymous with global band instrument manufacturing. Conn's innovation was carried forward through the Conn Conservatory and Conn Music Research Lab, continually refining how band instruments were taught, built, and played.
The Conn sound has become inseparable from brass culture. It is heard in low brass that anchors an ensemble, in horns that reward depth and control, and in marching instruments engineered to carry sound across a field with unmistakable authority. This is what a tradition of new sound means at Conn: not innovation as a slogan, but as a discipline, so that when we gather, celebrate, march, mourn, and remember, the sound that rises bears the name Conn.
